Opera and Cinema
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November 9
 
9h00
Registration 
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9h30
Opening Session

Martin  André
(Artistic Director of TNSC)
Salwa Castelo-Branco
(President of INET-MD)
Mário Vieira de Carvalho
(President of CESEM)

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10h-12h00
Panel 1
Chair:
Paulo Ferreira de Castro
(CESEM– FCSH/UNL)

Dan Wang
(The University of Chicago, USA)
Cinema, Liveness and the Limits of Criticism

João Pedro Cachopo

(CESEM – FCSH/UNL, Portugal)
Opera’s Screen Metamorphosis:
The Resilience of a Genre or a Matter of Translation?

Ulrich Meurer
(University of Viena, Austria)
Horse in Motion: On Opera/Film as Investigative Device

Manuel Deniz Silva
(INET-MD – FCSH/UNL, Portugal)
The Phantom of the Movies:
Some Notes on the Politics of Opera’s Heritage in Film Music 

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12h00–12h15
Coffee break

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12h15 –13h45
Panel 2
Chair: Pedro Rodrigues
(INET-MD –FCSH/UNL)

Candida Mantica
(University of Southampton, UK)
Lucia di Lammermoor in Scorsese’s The Departed:
Assimilations and Caesuras


Rebecca Geoffroy-Schwinden
(Duke University, USA)
Horror of Opera, Beauty of Violence: Dario Argento's Terror at the Opera (1987)

Stefan Schmidl
(Austrian Academy of Sciences, Austria)
Space Opera, About a Term and a Genre of New Hollywood
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13h45–15h00
Lunch

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15h00–16h15
Keynote Address
Richard Leppert

(University of Minnesota, USA)
Operatic-Cinematic Dream Notes
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16h15–16h30
Coffee break

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16h30–18h30
Panel 3
Chair: Paula Gomes Ribeiro
(CESEM – FCSH/UNL)

Katrin Stoeck
(Universität Leipzig, Germany)
From Cinema to Opera. Musical Theatre Based on Films

Jelena Novak
(University of Amsterdam, Netherlands; CESEM – FCSH/UNL, Portugal)
Operatizing Film

Martin Knust
(Stockholms Universitet, Sweden)
Video Art and Film as a Part and a Problem of Current
Opera Performance Practice – Some Examples and Observations


Edward Haymes
(Cleveland State University, USA)
Peter Gelb’s Experiment: Operas on Movie Screens

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November 10

9h00–11h00
Panel 4
Chair: Manuel Deniz Silva
(INET-MD, FCSH/UNL)

Claus Tieber
(University of Salzburg, Austria)
Opera in Silent Cinema: The Case of Vienna

James M. Doering
(Randolph-Macon College, USA)
An Operatic Opportunity: Guazzoni’s Marc’Antonio e Cleopatra (1913) in America

Hannah Lewis
(Harvard University, USA)
“A World of Dreams”: The Operatic Fantasy of René Clair’s Le Million

Beatrice Birardi
(Società Italiana di Musicologia, Italy)
‘Beyond the Film-Opera’:
the Opera in the Documentaries Produced in Italy Between the Thirties and Fifties 

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11h00
Coffee break

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11h15–13h15
Panel 5
Chair: João Pedro Cachopo
(CESEM – FCSH/UNL)

Teresa Pedro
(Technische Universität zu Berlin, Germany; IFL – FCSH/UNL, Portugal)
Film and Opera: the Idea of a Total Artwork

Miriam Perandones
(Universidad de Oviedo, Spain)
T
he Film Goyescas Based on Enrique Granados's Homonymous Opera:
Opera and Tonadilla, Both Symbols of Social (Dis)order in the Early Franco's Regime


Brooke McCorkle
(University of Pennsylvania, USA)
Turning Wagner Japanese: Mishima Yukio's Patriotism (1966)

Ryszard Daniel Golianek
(Adam Mickiewicz University, Poland) 
Playing with the National History: Andrzej Żuławski’s Film Version of Boris Godunov
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13h15–14h00
Closing Remarks

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All sessions will take place at the Teatro Nacional de São Carlos (TNSC) – Salão Nobre
Rua Serpa Pinto, n.º 9, 1200-442, Lisboa


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Around the conference
The participants are invited to two cultural events during the conference:

November 9
Screening at the Cinemateca Nacional (Portuguese Film Museum)
Rua Barata Salgueiro, n.º 39, 1269-059 Lisboa

21h30
Der Rosenkönig (1986), Werner Schroeter [106 mn.]

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November 10
Opera performance at the Teatro Nacional de São Carlos

16h00
Don Pasquale
,
Gaetano Donizetti
See details here

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