. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
November 9
9h00
Registration
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
9h30
Opening Session
Martin André
(Artistic Director of TNSC)
Salwa Castelo-Branco
(President of INET-MD)
Mário Vieira de Carvalho
(President of CESEM)
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
10h-12h00
Panel 1
Chair: Paulo Ferreira de Castro
(CESEM– FCSH/UNL)
Dan Wang
(The University of Chicago, USA)
Cinema, Liveness and the Limits of Criticism
João Pedro Cachopo
(CESEM – FCSH/UNL, Portugal)
Opera’s Screen Metamorphosis:
The Resilience of a Genre or a Matter of Translation?
Ulrich Meurer
(University of Viena, Austria)
Horse in Motion: On Opera/Film as Investigative Device
Manuel Deniz Silva
(INET-MD – FCSH/UNL, Portugal)
The Phantom of the Movies:
Some Notes on the Politics of Opera’s Heritage in Film Music
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
12h00–12h15
Coffee break
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
12h15 –13h45
Panel 2
Chair: Pedro Rodrigues
(INET-MD –FCSH/UNL)
Candida Mantica
(University of Southampton, UK)
Lucia di Lammermoor in Scorsese’s The Departed:
Assimilations and Caesuras
Rebecca Geoffroy-Schwinden
(Duke University, USA)
Horror of Opera, Beauty of Violence: Dario Argento's Terror at the Opera (1987)
Stefan Schmidl
(Austrian Academy of Sciences, Austria)
Space Opera, About a Term and a Genre of New Hollywood
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
13h45–15h00
Lunch
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
15h00–16h15
Keynote Address
Richard Leppert
(University of Minnesota, USA)
Operatic-Cinematic Dream Notes
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
16h15–16h30
Coffee break
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
16h30–18h30
Panel 3
Chair: Paula Gomes Ribeiro
(CESEM – FCSH/UNL)
Katrin Stoeck
(Universität Leipzig, Germany)
From Cinema to Opera. Musical Theatre Based on Films
Jelena Novak
(University of Amsterdam, Netherlands; CESEM – FCSH/UNL, Portugal)
Operatizing Film
Martin Knust
(Stockholms Universitet, Sweden)
Video Art and Film as a Part and a Problem of Current
Opera Performance Practice – Some Examples and Observations
Edward Haymes
(Cleveland State University, USA)
Peter Gelb’s Experiment: Operas on Movie Screens
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
November 10
9h00–11h00
Panel 4
Chair: Manuel Deniz Silva
(INET-MD, FCSH/UNL)
Claus Tieber
(University of Salzburg, Austria)
Opera in Silent Cinema: The Case of Vienna
James M. Doering
(Randolph-Macon College, USA)
An Operatic Opportunity: Guazzoni’s Marc’Antonio e Cleopatra (1913) in America
Hannah Lewis
(Harvard University, USA)
“A World of Dreams”: The Operatic Fantasy of René Clair’s Le Million
Beatrice Birardi
(Società Italiana di Musicologia, Italy)
‘Beyond the Film-Opera’:
the Opera in the Documentaries Produced in Italy Between the Thirties and Fifties
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
11h00
Coffee break
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
11h15–13h15
Panel 5
Chair: João Pedro Cachopo
(CESEM – FCSH/UNL)
Teresa Pedro
(Technische Universität zu Berlin, Germany; IFL – FCSH/UNL, Portugal)
Film and Opera: the Idea of a Total Artwork
Miriam Perandones
(Universidad de Oviedo, Spain)
The Film Goyescas Based on Enrique Granados's Homonymous Opera:
Opera and Tonadilla, Both Symbols of Social (Dis)order in the Early Franco's Regime
Brooke McCorkle
(University of Pennsylvania, USA)
Turning Wagner Japanese: Mishima Yukio's Patriotism (1966)
Ryszard Daniel Golianek
(Adam Mickiewicz University, Poland)
Playing with the National History: Andrzej Żuławski’s Film Version of Boris Godunov
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
13h15–14h00
Closing Remarks
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
All sessions will take place at the Teatro Nacional de São Carlos (TNSC) – Salão Nobre
Rua Serpa Pinto, n.º 9, 1200-442, Lisboa
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Around the conference
The participants are invited to two cultural events during the conference:
November 9
Screening at the Cinemateca Nacional (Portuguese Film Museum)
Rua Barata Salgueiro, n.º 39, 1269-059 Lisboa
21h30
Der Rosenkönig (1986), Werner Schroeter [106 mn.]
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
November 10
Opera performance at the Teatro Nacional de São Carlos
16h00
Don Pasquale, Gaetano Donizetti
See details here
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
November 9
9h00
Registration
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
9h30
Opening Session
Martin André
(Artistic Director of TNSC)
Salwa Castelo-Branco
(President of INET-MD)
Mário Vieira de Carvalho
(President of CESEM)
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
10h-12h00
Panel 1
Chair: Paulo Ferreira de Castro
(CESEM– FCSH/UNL)
Dan Wang
(The University of Chicago, USA)
Cinema, Liveness and the Limits of Criticism
João Pedro Cachopo
(CESEM – FCSH/UNL, Portugal)
Opera’s Screen Metamorphosis:
The Resilience of a Genre or a Matter of Translation?
Ulrich Meurer
(University of Viena, Austria)
Horse in Motion: On Opera/Film as Investigative Device
Manuel Deniz Silva
(INET-MD – FCSH/UNL, Portugal)
The Phantom of the Movies:
Some Notes on the Politics of Opera’s Heritage in Film Music
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
12h00–12h15
Coffee break
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
12h15 –13h45
Panel 2
Chair: Pedro Rodrigues
(INET-MD –FCSH/UNL)
Candida Mantica
(University of Southampton, UK)
Lucia di Lammermoor in Scorsese’s The Departed:
Assimilations and Caesuras
Rebecca Geoffroy-Schwinden
(Duke University, USA)
Horror of Opera, Beauty of Violence: Dario Argento's Terror at the Opera (1987)
Stefan Schmidl
(Austrian Academy of Sciences, Austria)
Space Opera, About a Term and a Genre of New Hollywood
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
13h45–15h00
Lunch
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
15h00–16h15
Keynote Address
Richard Leppert
(University of Minnesota, USA)
Operatic-Cinematic Dream Notes
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
16h15–16h30
Coffee break
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
16h30–18h30
Panel 3
Chair: Paula Gomes Ribeiro
(CESEM – FCSH/UNL)
Katrin Stoeck
(Universität Leipzig, Germany)
From Cinema to Opera. Musical Theatre Based on Films
Jelena Novak
(University of Amsterdam, Netherlands; CESEM – FCSH/UNL, Portugal)
Operatizing Film
Martin Knust
(Stockholms Universitet, Sweden)
Video Art and Film as a Part and a Problem of Current
Opera Performance Practice – Some Examples and Observations
Edward Haymes
(Cleveland State University, USA)
Peter Gelb’s Experiment: Operas on Movie Screens
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
November 10
9h00–11h00
Panel 4
Chair: Manuel Deniz Silva
(INET-MD, FCSH/UNL)
Claus Tieber
(University of Salzburg, Austria)
Opera in Silent Cinema: The Case of Vienna
James M. Doering
(Randolph-Macon College, USA)
An Operatic Opportunity: Guazzoni’s Marc’Antonio e Cleopatra (1913) in America
Hannah Lewis
(Harvard University, USA)
“A World of Dreams”: The Operatic Fantasy of René Clair’s Le Million
Beatrice Birardi
(Società Italiana di Musicologia, Italy)
‘Beyond the Film-Opera’:
the Opera in the Documentaries Produced in Italy Between the Thirties and Fifties
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
11h00
Coffee break
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
11h15–13h15
Panel 5
Chair: João Pedro Cachopo
(CESEM – FCSH/UNL)
Teresa Pedro
(Technische Universität zu Berlin, Germany; IFL – FCSH/UNL, Portugal)
Film and Opera: the Idea of a Total Artwork
Miriam Perandones
(Universidad de Oviedo, Spain)
The Film Goyescas Based on Enrique Granados's Homonymous Opera:
Opera and Tonadilla, Both Symbols of Social (Dis)order in the Early Franco's Regime
Brooke McCorkle
(University of Pennsylvania, USA)
Turning Wagner Japanese: Mishima Yukio's Patriotism (1966)
Ryszard Daniel Golianek
(Adam Mickiewicz University, Poland)
Playing with the National History: Andrzej Żuławski’s Film Version of Boris Godunov
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
13h15–14h00
Closing Remarks
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
All sessions will take place at the Teatro Nacional de São Carlos (TNSC) – Salão Nobre
Rua Serpa Pinto, n.º 9, 1200-442, Lisboa
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Around the conference
The participants are invited to two cultural events during the conference:
November 9
Screening at the Cinemateca Nacional (Portuguese Film Museum)
Rua Barata Salgueiro, n.º 39, 1269-059 Lisboa
21h30
Der Rosenkönig (1986), Werner Schroeter [106 mn.]
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
November 10
Opera performance at the Teatro Nacional de São Carlos
16h00
Don Pasquale, Gaetano Donizetti
See details here
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
